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Seduced by his poignant lyrics, the roar of bar chatter fell silent during a recent Slowdown performance.
There he stood: tall, brilliant, and gently strumming his guitar.
In addition to the Rafah crossing in Gaza, there is the Israeli-controlled Beit Hanoun (Erez) crossing.
As soon as Miwi La Lupa’s melodies hit ears, listeners succumb to the indie-folk dynamo.
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Bahira Kheyri from Gaza is another bride who had to go through with her wedding ceremony without her groom, who is her cousin Murad.
In a recent conversation with his mother, he expressed his concern for his students: “Some of these kids, they don’t practice.” Mom, he recalls, was like: “Yeah, you didn’t practice either.
You would always forget your saxophone.” “She would always be chasing after the bus because I forgot my saxophone,” he says with a laugh.
“And, I’d just lie about how many minutes I’d practice each day.
Until one day I had this teacher who said this other kid was better than me at saxophone, and that’s when I started practicing.” In middle school, Miwi began playing low-brass instruments, mostly trombone.
We were kind of trying to be a 50-year-old-man lounge singer at a hotel bar. I remember him telling me how he would be up all night playing with local musicians in Buffalo and would come home super late,” Dilocker says.